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Chuck berry lick

Often when guitar players are first learning how to improvise their own guitar solos, they think they need to know a lot of licks. More guitar licks means more ideas you can call on for your solos right? Well definitely building your vocabulary of different guitar licks is going to be important, but sometimes a better approach is to get more mileage out of the guitar licks you already know. If you want to learn how to create your own rock and blues guitar licks , without having to memorize long and hard to remember phrases… check out my Guitar Lick Factory course.
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Play Like Chuck Berry: Inspired Licks

Chuck berry lick
Chuck berry lick
Chuck berry lick
Chuck berry lick
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Chuck Berry Guitar Lick X3 | TurnersCrossingWine.com

He was The St. Charles County Police Department confirmed his death on its Facebook page. The department said that it responded to a medical emergency at the home, about 45 miles west of St.
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Chuck Berry Guitar Lick X3

In this lesson, we are checking out three guitar licks in the style of the iconic blues guitar star, Chuck Berry. Chuck Berry favoured dominant chord progressions. Berry extensively used double-stops in his soloing. They create a stronger more forceful sound than their single note equivalents. I find this a fantastic way to maximise value from any lick.
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For us, Chuck Berry had the whole package: great looks, songs, lyrics, voice, and stage presence, plus an innovative guitar style destined to become the most aped on the planet. And he was up and running a full year before Elvis hit the big time. Still rocking at 85! Never has so much been done with so little. Surely, these root-5 and root-6 moves had been documented by other artists from Arthur Crudup and Bill Dogett to Muddy Waters and T-Bone Walker long before the classic Chess recordings that put Berry on the map, but Berry brought something completely new and different to the party: Instead of punctuating every downbeat, he placed heavy accents only on the second and fourth beats of each measure in tandem with the snare drum backbeat, asshown in the Bb -based, straight-eighth I-, IV-, and V-chord figures in Ex.
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